The clocks no longer stop, and the time displayed on the ubiquitous screens flows either too fast or too slow. The works of the three artists are like an experiment designed to recognize and experience a disordered reality.

Sebastian Trzoska’s Technical diagram for 24 hours of focus shows a stopwatch board speeding up minute by minute. On the one hand ''it is simply a form of creative play with the ruthless limitations of the timer's function and the industrial nature of the object, such as a typical advertising display built from LED lights'' (S.T). In this black-framed controlled chaos, where the concept of time is the building block of the artistic work, Trzoska finds a place full of inapparent meanings. The strange, mechanized rhythm hangs over us almost forever thanks to, among other things, the technology that penetrates our everyday life. At first glance, this appears to be a conspiracy against humanity, orchestrated by time, which slips through our fingers and the clock weighing down its smallest atom.