The exhibition by Arobal wraps around the idea of energetic flows, making noticeable what is invisible but supportive of relations among beings settled in the world we live in.

As we divided beings into kinds and genres in order to describe, single out and select according to usefulness and to control, human culture caused a kind of partition of organic, unnamed chaos of life. This cognitive duality between sensation and rationalization, between verified knowledge and impossibility to transfer appears to be pivotal for the artist's practice. Intentionally queering strategies of representation in art, Arobal constructs the non-normative, non- evident emotional world relentlessly striving towards energetic compatibility.